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Tom Gunning, « Non-Continuity, Continuity, Discontinuity: A Theory of Genres in Early Films », Iris 2, no 1 (1984): 101‑12.

William Uricchio, Media, Simultaneity, Convergence: Culture and Technology in an Age of Intermediality (Utrecht: Universiteit Utrecht, 1997).

William Uricchio, Die Anfänge des Deutschen Fernsehens: Kritische Annäherungen an die Entwicklung bis 1945, Tubingen, Max Niemeyer Verlag, 1991, 337 p.

William Uricchio, Sarah Wolozin et Lily Bui, Mapping the Intersection of Two Cultures: Interactive journalism and digital journalism.

William Uricchio, « Early German Television, 1935-1944 », Historical Journal of Film, Radio and Television, vol. 2 / 10, 1990, p. 115‑122.

William Uricchio, « Interactivity and the Modalities of Textual Hacking: From the Bible to Algorithmically Generated Storie », in Sara Pesce. , Paolo Noto. The Politics of Ephemeral Digital Media: Permanence and Obsolescence in Paratexts, New-York, Routledge, 2016.

William Uricchio, « Contextualizing the Apparatus: Film in the Turn-of-the-Century Sears, Roebuck & Co. Consumers Guide », in Exposing the Film Apparatus: The Film Archive as a Research Laboratory, Amsterdam, Amsterdam University Press, 2016, p. 99‑106.

William Uricchio, « Quando la narrazione va la di là dei suoi confini: vecchie abitudini nella nuova era tecnologica », in Claudio Bisoni. , Veronica Innocenti. Media Mutations: Gli ecosistemi narrativi nello scenario mediale contemporaneo. Spazi, modelli, usi sociali, Modena, Mucchi Editore, 2013, p. 45‑56.

William Uricchio, « The Algorithmic Turn: Photosynth, Augmented Reality and the Changing Implications of the Image », in Gorin Bolin. Cultural Technologies: The Shaping of Culture in Media and Society, London, Routledge, 2012.

William Uricchio, « Constructing Television: Thirty Years that Froze an Otherwise Dynamic Medium », in Marijke de Valck. , Jan Teurlings. After the break: television theory today, Amsterdam, Amsterdam University Press, 2013.