Call for paper – De l’immersion au cinéma (See French version)

Call for paper – De l’immersion au cinéma (See French version)

  • On 29 September 2020
International conference with the aim of broadening the notion of immersion through the technical history of cinema and by questioning the specificities related to film then to digital. Organized by the IRISA "MIMETIC" team at Rennes 1 University and the "Arts: Practices and Poetics" Research Unit at Rennes 2 University for ANR BEAUVIATECH.
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Call for paper – Immersivity and technological innovations

Call for paper – Immersivity and technological innovations

  • On 14 January 2020
As part of the event “Immersivity and Technological Innovations,” we are currently seeking contributions that will help shape the notion of immersivity, as well as the role of technological innovations therein. We invite proposals that challenge the novelty of immersivity and propose new perspectives on media formations of all kinds that might fall under the banner of “immersion.”
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Call for papers – doctoral conference “Gestes singuliers, gestes collectifs: histoire et cinéma en pratiques”

Call for papers – doctoral conference “Gestes singuliers, gestes collectifs: histoire et cinéma en pratiques”

  • On 1 October 2019
Image: Screen shot from the episode “Cinéma élargi” of the series Connaissance du cinéma. CC licence TECHNÈS is inviting papers for the doctoral conference “Gestes singuliers, gestes collectifs: histoire et cinéma en pratiques,” being held Thursday 26 and Friday 27 September 2019 at the Université de Montréal, with the special participation of Charles Acland, Simone Natale and Katharina Niemeyer. […]
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Call for papers – The Emergence of the Concept “Editing”: Its Sources, Development and Migrations

Call for papers – The Emergence of the Concept “Editing”: Its Sources, Development and Migrations

  • On 1 October 2019
CALL FOR PAPERS The Histoire et esthétique du cinéma section of the Université de Lausanne and the Programme de recherche sur l’archéologie et la généalogie du montage/editing(PRAGM/e) of the Université de Montréal invite you to submit a proposal for an international conference The Emergence of the Concept “Editing”: Its Sources, Development and Migrations Université de […]
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Call for papers : Documenting Presence in the World: The Cinema of Johan van der Keuken

Call for papers : Documenting Presence in the World: The Cinema of Johan van der Keuken

  • On 19 November 2018
TECHNÈS is calling for proposals for the international conference Documenter une présence au monde: le cinéma de Johan van der Keuken, to be held from 28 to 30 March 2018 at Université Rennes 2. Organised in collaboration with Université Rennes 2 and Université de Picardie-Jules Verne, this conference’s scholarly committee is made up of Aline Caillet […]
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Call for papers : Le “direct” et le numérique. Techniques et politiques des cinémas légers: archéologie, esthétique, perspectives

Call for papers : Le “direct” et le numérique. Techniques et politiques des cinémas légers: archéologie, esthétique, perspectives

  • On 1 December 2016
The section TECHNÈS of Lausanne launch a call for papers for the international conference Du « direct » au numérique : archéologie et nouvelles perspectives des pratiques cinématographiques légères dans le monde, which will take place at the l’Université de Lausanne, on May 3 to May 5 2017. Co-organized with the University of Picardie Jules-Vernes, this conferene hopes […]
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Call for papers : Le cinéma dans l’oeil du collectionneur

Call for papers : Le cinéma dans l’oeil du collectionneur

  • On 16 July 2016
Here is the call for papers for the conference “Le cinéma dans l’œil du collectionneur”, which will be held at the Cinémathèque québcoise from the June 7th to June 10th 2017 as part of the international research partership TECHNÈS. The conference is organized by André Habib (Université de Montréal), Philippe Marion (Université catholique de Louvain), […]
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