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  • Project
    • Project
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  • Activities
    • News
    • Lectures and panel discussions
    • Conferences and study days
    • Call for papers
  • Publications
    • Featured publications
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Yosr Ben Romdhane : «L’immersion dans le dispositif du cinéma stéréoscopique»

Yosr Ben Romdhane : «L’immersion dans le dispositif du cinéma stéréoscopique»

  • On 10 December 2020
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Diego Gachadouat Ranz : «Immersivité et réflexivité dans Tacoma»

Diego Gachadouat Ranz : «Immersivité et réflexivité dans Tacoma»

  • On 10 December 2020
Read More
Jason Coley : “An Affect-Centric Approach to Designing for Spatial Presence“

Jason Coley : “An Affect-Centric Approach to Designing for Spatial Presence“

  • On 10 December 2020
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Round table : « Décloisonner l’immersivité : Recherche et création immersives »​

Round table : « Décloisonner l’immersivité : Recherche et création immersives »​

  • On 10 December 2020
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Hani Sadati & Claudia Mitchell : “Participatory Visual Methodologies“

Hani Sadati & Claudia Mitchell : “Participatory Visual Methodologies“

  • On 10 December 2020
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Olivia McGilchrist : “Submersion / Immersion / Presence & Embodiment in VR“

Olivia McGilchrist : “Submersion / Immersion / Presence & Embodiment in VR“

  • On 10 December 2020
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Laureline Chiapello: “Le rôle de la technologie dans le design de jeux“

Laureline Chiapello: “Le rôle de la technologie dans le design de jeux“

  • On 10 December 2020
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Silvia Mascia : “Circarama and Totalrama : Legacy of an immersive culture“

Silvia Mascia : “Circarama and Totalrama : Legacy of an immersive culture“

  • On 10 December 2020
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Maria Gladitsch : “Who’s controlling who?: Metareference in Bandersnatch“

Maria Gladitsch : “Who’s controlling who?: Metareference in Bandersnatch“

  • On 10 December 2020
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Daniel Cross & Marco Luna: “Understanding immersion in VR“

Daniel Cross & Marco Luna: “Understanding immersion in VR“

  • On 10 December 2020
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About

The international research partnership on film techniques and technologies, TECHNÈS, aims to rethink film history and its methods by examining the techniques and technologies that have accompanied the medium since its beginnings. For this ambitious program, TECHNÈS is dedicated to the creation of a space for dialogue between universities, archives, cinematheques, and film schools, as well as between scholars and industry technicians.

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