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  • Activities
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Haidee Wasson (Université Concordia, Montréal) –  The interfaces of projection: mapping the rise of portable devices

Haidee Wasson (Université Concordia, Montréal) – The interfaces of projection: mapping the rise of portable devices

  • On 19 November 2019
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Dave Kening (Panavision, Woodland Hills, Californie) –  A brief history of early cinema lenses and parallel advances in optics design. Part I: 1890-1914

Dave Kening (Panavision, Woodland Hills, Californie) – A brief history of early cinema lenses and parallel advances in optics design. Part I: 1890-1914

  • On 19 November 2019
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Germain Lacasse (Université de Montréal) –  L’artefact et l’histoire, seuls ou en couple. Comment le contact avec l’objet permet à l’historien de décrire l’histoire en situation d’évocation dynamique

Germain Lacasse (Université de Montréal) – L’artefact et l’histoire, seuls ou en couple. Comment le contact avec l’objet permet à l’historien de décrire l’histoire en situation d’évocation dynamique

  • On 19 November 2019
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Technès Dossier : approches technologiques, questions esthétiques et histoire sans noms in A History of Cinema Without Names II: Contexts and Practical Applications

Technès Dossier : approches technologiques, questions esthétiques et histoire sans noms in A History of Cinema Without Names II: Contexts and Practical Applications

  • On 25 October 2019
Diego Cavalotti, Simone Dotto, Leonardo Quaresima (ed.),dossier directed by André Gaudreault, Laurent Le Forestier and Gilles Mouëllic / Mimesis / 2017

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Film History as Media Archaeology : Tracking Digital Cinema

Film History as Media Archaeology : Tracking Digital Cinema

  • On 25 October 2019
Thomas Elsaesser / Amsterdam University Press / 2016

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Fantasia of Color in Early Cinema

Fantasia of Color in Early Cinema

  • On 25 October 2019
Tom Gunning, Giovanna Fossati, Jonathan Rosen and Josh Yumibe / Amsterdam University Press / 2015

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A Rebirth and a Funeral : Cinémathèque Québécoise Restores a Long-Lost Actuality by Canadian Film Pioneer Léo-Ernest Ouimet

A Rebirth and a Funeral : Cinémathèque Québécoise Restores a Long-Lost Actuality by Canadian Film Pioneer Léo-Ernest Ouimet

  • On 25 October 2019
Louis Pelletier / Journal of Film Preservation / 2017

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Techniques et technologies du cinéma : Modalités, usages et pratiques des dispositifs cinématographiques à travers l’histoire

Techniques et technologies du cinéma : Modalités, usages et pratiques des dispositifs cinématographiques à travers l’histoire

  • On 25 October 2019
André Gaudreault and Martin Lefebvre (ed.) / Presses universitaires de Rennes / 2015

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Le découpage au cinéma

Le découpage au cinéma

  • On 25 October 2019
Vincent Amiel, Gilles Mouëllic and José Moure (ed.) / Presses universitaires de Rennes / 2016

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Point de vue et point d’écoute au cinéma : Approches techniques

Point de vue et point d’écoute au cinéma : Approches techniques

  • On 25 October 2019
Antony Fiant, Roxane Hamery and Jean-Baptiste Massuet (ed.) / Presses universitaires de Rennes / 2017

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About

The international research partnership on film techniques and technologies, TECHNÈS, aims to rethink film history and its methods by examining the techniques and technologies that have accompanied the medium since its beginnings. For this ambitious program, TECHNÈS is dedicated to the creation of a space for dialogue between universities, archives, cinematheques, and film schools, as well as between scholars and industry technicians.

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